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<title>Full RapidShare Downloads</title>
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<language>ru</language>
<description>Full RapidShare Downloads</description>
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<title>Font Expert v9 R5</title>
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<link>http://www.area51warez.info/softwares/graphics_tools/fonts/16050-font-expert-v9-r5.html</link>
<description><![CDATA[<div align="center"><a href="http://i35.tinypic.com/iw3luq.png" target="_blank"><img style="border: none;" title="Font Expert v9 R5" src="http://i35.tinypic.com/b7nor9.png" alt="Font Expert v9 R5" /></a><br /><br /><strong>Font Manager and Viewer<br />for Adobe Type 1, TrueType and OpenType Fonts</strong></div>
<div><br /><strong>FontExpert </strong>enables you to preview and manage both installed and uninstalled typefaces, plus examine your system for font errors. You can display the list of installed font faces, customizable font samples and advanced font properties. The program allows you to print different types of reports, and offers many printing options.</div>]]></description>
<category><![CDATA[Fonts]]></category>
<dc:creator>esctocancel</dc:creator>
<pubDate>Tue, 04 Nov 2008 16:10:15 -0600</pubDate>
</item><item>
<title>Jeff Levine Hoxie JNL OpenType</title>
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<link>http://www.area51warez.info/softwares/graphics_tools/fonts/15893-jeff-levine-hoxie-jnl-opentype.html</link>
<description><![CDATA[<div>
<p><strong>Hoxie JNL</strong> is based on an example found in an old sign painter&rsquo;s design book from the early 1900s and has been translated to digital form by Jeff Levine.</p>
<p>All of the quirks and charm of hand lettering have remained.</p>
</div>]]></description>
<category><![CDATA[Fonts]]></category>
<dc:creator>xFOrCE</dc:creator>
<pubDate>Wed, 29 Oct 2008 06:12:11 -0500</pubDate>
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<title>Serif FontManager v2.0.0.3</title>
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<link>http://www.area51warez.info/softwares/15287-serif-fontmanager-v2.0.0.3.html</link>
<description><![CDATA[<div align="center"><img style="border: none;" title="Serif FontManager v2.0.0.3" src="http://i38.tinypic.com/1z2kk1d.jpg" alt="Serif FontManager v2.0.0.3" /></div>
<div> </div>
<div align="center"><strong>Serif FontManager v2.0.0.3 | 4.6 mb</strong></div>
<div><br /><br />FontManager 2 is the best way to easily locate and use as many fonts as you want and need, without letting them take over your PC! If you&rsquo;ve accumulated far too many fonts over the years and no longer know what to do with them all, or spend far too long searching lengthy font lists for the one you want, FontManager 2 will organise, store and automatically uninstall and reinstall your fonts whenever you need them.</div>]]></description>
<category><![CDATA[Softwares, - Graphics Tools, Fonts]]></category>
<dc:creator>tanakakun</dc:creator>
<pubDate>Tue, 14 Oct 2008 03:42:49 -0500</pubDate>
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<title>Calligraphics Fonts</title>
<guid isPermaLink="true">http://www.area51warez.info/softwares/graphics_tools/fonts/14923-calligraphics-fonts.html</guid>
<link>http://www.area51warez.info/softwares/graphics_tools/fonts/14923-calligraphics-fonts.html</link>
<description><![CDATA[<div align="center"><!--TBegin--><a href="http://www.area51warez.info/uploads/posts/2008-10/1223320438_00095511.jpeg" onClick="return hs.expand(this)" ><img src="http://www.area51warez.info/uploads/posts/2008-10/thumbs/1223320438_00095511.jpeg" style="border: none;" alt='Calligraphics Fonts ' title='Calligraphics Fonts '  /></a><!--TEnd--></div><br /><br /><div align="center"><!--fontstart:Arial Black--><span style="font-family:Arial Black"><!--/fontstart-->Calligraphics Fonts<br />6 Fonts | TTF & Type 1 | 5,6 Mb<br /><!--fontend--></span><!--/fontend--><br /><br />Fonts Included:<br />Aperto, Banjoman, Caterina, DemiTasse, Espresso, Gargoyle, Harmonica</div>]]></description>
<category><![CDATA[Fonts]]></category>
<dc:creator>tumer</dc:creator>
<pubDate>Mon, 06 Oct 2008 14:16:09 -0500</pubDate>
</item><item>
<title>Sudtipos Mrs Von Eckley</title>
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<link>http://www.area51warez.info/softwares/graphics_tools/fonts/14859-sudtipos-mrs-von-eckley.html</link>
<description><![CDATA[<div><strong>The Charles Bluemlein Script Collection </strong>is an intriguing reminder of the heady days of hand lettering and calligraphy in the United States. From the early 1930s through World War II, there were about 200 professional hand letterers working in New York City alone. This occupation saw its demise with the advent of photo lettering, and after digital typography, became virtually extinct. The odd way in which the Bluemlein scripts were assembled and created - by collecting different signatures and then building complete alphabets from them - is a fascinating calligraphic adventure. Because the set of constructed designs looked nothing like the original signatures, fictitious names were assigned to the new script typefaces. The typeface styles were then showcased in Higgins Ink catalogs.</div>]]></description>
<category><![CDATA[Fonts]]></category>
<dc:creator>xFOrCE</dc:creator>
<pubDate>Sun, 05 Oct 2008 04:58:59 -0500</pubDate>
</item><item>
<title>Sudtipos Mr Stalwart</title>
<guid isPermaLink="true">http://www.area51warez.info/softwares/graphics_tools/fonts/14858-sudtipos-mr-stalwart.html</guid>
<link>http://www.area51warez.info/softwares/graphics_tools/fonts/14858-sudtipos-mr-stalwart.html</link>
<description><![CDATA[<div><strong>The Charles Bluemlein Script Collection</strong> is an intriguing reminder of the heady days of hand lettering and calligraphy in the United States. From the early 1930s through World War II, there were about 200 professional hand letterers working in New York City alone. This occupation saw its demise with the advent of photo lettering, and after digital typography, became virtually extinct. The odd way in which the Bluemlein scripts were assembled and created - by collecting different signatures and then building complete alphabets from them - is a fascinating calligraphic adventure. Because the set of constructed designs looked nothing like the original signatures, fictitious names were assigned to the new script typefaces. The typeface styles were then showcased in Higgins Ink catalogs</div>]]></description>
<category><![CDATA[Fonts]]></category>
<dc:creator>xFOrCE</dc:creator>
<pubDate>Sun, 05 Oct 2008 04:57:13 -0500</pubDate>
</item><item>
<title>Sudtipos Mr Sheppards</title>
<guid isPermaLink="true">http://www.area51warez.info/softwares/graphics_tools/fonts/14857-sudtipos-mr-sheppards.html</guid>
<link>http://www.area51warez.info/softwares/graphics_tools/fonts/14857-sudtipos-mr-sheppards.html</link>
<description><![CDATA[<div><strong>The Charles Bluemlein Script Collection</strong> is an intriguing reminder of the heady days of hand lettering and calligraphy in the United States. From the early 1930s through World War II, there were about 200 professional hand letterers working in New York City alone. This occupation saw its demise with the advent of photo lettering, and after digital typography, became virtually extinct. The odd way in which the Bluemlein scripts were assembled and created - by collecting different signatures and then building complete alphabets from them - is a fascinating calligraphic adventure. Because the set of constructed designs looked nothing like the original signatures, fictitious names were assigned to the new script typefaces. The typeface styles were then showcased in Higgins Ink catalogs.</div>]]></description>
<category><![CDATA[Fonts]]></category>
<dc:creator>xFOrCE</dc:creator>
<pubDate>Sun, 05 Oct 2008 04:55:56 -0500</pubDate>
</item><item>
<title>Sudtipos Mr Sandsfort</title>
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<link>http://www.area51warez.info/softwares/graphics_tools/fonts/14856-sudtipos-mr-sandsfort.html</link>
<description><![CDATA[<div>
<div><strong>The Charles Bluemlein Script Collection</strong> is an intriguing reminder of the heady days of hand lettering and calligraphy in the United States. From the early 1930s through World War II, there were about 200 professional hand letterers working in New York City alone. This occupation saw its demise with the advent of photo lettering, and after digital typography, became virtually extinct. The odd way in which the Bluemlein scripts were assembled and created - by collecting different signatures and then building complete alphabets from them - is a fascinating calligraphic adventure. Because the set of constructed designs looked nothing like the original signatures, fictitious names were assigned to the new script typefaces. The typeface styles were then showcased in Higgins Ink catalogs</div>
</div>]]></description>
<category><![CDATA[Fonts]]></category>
<dc:creator>xFOrCE</dc:creator>
<pubDate>Sun, 05 Oct 2008 04:54:52 -0500</pubDate>
</item><item>
<title>Sudtipos Mr Leopolde</title>
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<link>http://www.area51warez.info/softwares/graphics_tools/fonts/14854-sudtipos-mr-leopolde.html</link>
<description><![CDATA[<div>
<div><strong>The Charles Bluemlein Script Collection</strong> is an intriguing reminder of the heady days of hand lettering and calligraphy in the United States. From the early 1930s through World War II, there were about 200 professional hand letterers working in New York City alone. This occupation saw its demise with the advent of photo lettering, and after digital typography, became virtually extinct. The odd way in which the Bluemlein scripts were assembled and created - by collecting different signatures and then building complete alphabets from them - is a fascinating calligraphic adventure. Because the set of constructed designs looked nothing like the original signatures, fictitious names were assigned to the new script typefaces. The typeface styles were then showcased in Higgins Ink catalogs</div>
</div>]]></description>
<category><![CDATA[Fonts]]></category>
<dc:creator>xFOrCE</dc:creator>
<pubDate>Sun, 05 Oct 2008 04:51:58 -0500</pubDate>
</item><item>
<title>Sudtipos Mr Lackboughs</title>
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<link>http://www.area51warez.info/softwares/graphics_tools/fonts/14853-sudtipos-mr-lackboughs.html</link>
<description><![CDATA[<div><strong>The Charles Bluemlein Script Collection</strong> is an intriguing reminder of the heady days of hand lettering and calligraphy in the United States. From the early 1930s through World War II, there were about 200 professional hand letterers working in New York City alone. This occupation saw its demise with the advent of photo lettering, and after digital typography, became virtually extinct. The odd way in which the Bluemlein scripts were assembled and created - by collecting different signatures and then building complete alphabets from them - is a fascinating calligraphic adventure. Because the set of constructed designs looked nothing like the original signatures, fictitious names were assigned to the new script typefaces. The typeface styles were then showcased in Higgins Ink catalogs.</div>]]></description>
<category><![CDATA[Fonts]]></category>
<dc:creator>xFOrCE</dc:creator>
<pubDate>Sun, 05 Oct 2008 04:49:23 -0500</pubDate>
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